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Ørestad Klassiske MusikFestival November 24-27 2021
Ørestad Klassiske MusikFestival - Hørestad!
November 25-27 2021.
Introducing a Copenhagen’s newest music festival!
Classical music the climate friendly way! Generation Z and others who are concerned on our environment will surely appreciate this festival, not only for the incredible roster of musicians and singers in this first edition, and the compelling music performed, but for the focus on tomorrow’s audiences as well as today’s – and the 20% discount on your concert ticket if you are coming by bike!
Conductor Maria Badstue is part of the artistic team curating this exciting new festival. Don’t miss the first edition of Ørestad Klassiske Musikfestival - Hørestad.
November 26
Mahler, Lieder Eines Fahrenden Gesellen
Ravel, Mother Goose Suite
Philippa Cold, Soprano
Maria Badstue, Conductor
Ørestad Festival Orchestra
In collaboration with Ørestad Gymnasium and Ørestad Library
Maria Badstue to make German opera debut with Theater Orchester Neubrandenburg / Neustrelitz
Maria Badstue will make her German opera conducting debut at Theater und Orchester Neubrandenburg / Neustrelitz, leading the production of `DER KAISER VON ATLANTIS´ by Viktor Ullmann.
Musikalische Leitung: Maria Badstue
Inszenierung: Sven Müller
Dramaturgie: Lür Jaenike
Bühnenbild: Sven Müller, Mitarbeit Roland Lück
Kostüme: Margit Blendermann
Neubrandenburger Philharmonie
Performances:
October 22, 31 & November 21
HC Andersen mini operas at COPENHAGEN OPERA FESTIVAL
COPENHAGEN OPERA FESTIVAL
Maria Badstue will lead three mini operas based on fairy tales by HC Andersen.
August 22 & 28 2021
Den Røde Plads / BLOX Copenhagen
Music: Thomas Claussen
Director: Johanne Holten
Conductor: Maria Badstue
Soloists, Nina Sveistrup, Mathilde Wallevik a.o
Guest Speaker at Oxford Conducting Institute International Conducting Studies Conference
June 25 & 26 2021
Maria Badstue as a guest speaker at Oxford Conducting Institute International Conducting Studies Conference
‘Conductors’ responsibilities, intercultural collaboration and classical music in a post-COVID world’